UK Music Jobs Blog

Archive for August, 2008

Guns N Roses album leak & FBI arrest

Thursday, August 28th, 2008

The LA Times has reported that an arrest was made by the FBI following a leak of unreleased material from old school rockers Guns n Roses. Kevin Cogill, a Culver City resident known as Skewl online, was arrested on suspicion of violating federal copyright law by posting the nine songs on his blog Antiquiet.

I’m not sure what possesses these people to do it, whether they think they are offering a service to the underground internet-savvy youth who torrent millions of songs every year. Well, unfortunately for them, there’s an internet-savvy federal department after them, and rightly so I say – what the culprits are doing is morally wrong.

With all the new laws coming into effect to give the FBI extra clout, I expect a few more of these stories. Although, I think they were devised with the big-wigs running huge file-sharing sites in mind, as opposed to some dude in suburbia blogging in his basement.

Now, 24 hours and many blog comments later, some people are saying how this smells kinda like a publicity stunt, some say the whole thing was set up to warn people off sharing / downloading illegally hosted music (My GNR forum has plenty of controversial comments to wade through). The fact that Cogill and friends were back on the blog talking about the case the day after the FBI took them in for questioning seems suspect.

I’m sure there’s a whole heap of rights and wrongs and in betweens, so feel free to pick a side and let the slanging begin in the comment section here…(!)

Lee.

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Post War Years announce UK Tour with White Lies

Tuesday, August 26th, 2008
Post War Years

Post War Years

Post War Years announce their UK tour with the hotly tipped White Lies, in between recording their debut album in their self built Russian Club studio.

WHITE LIES UK DATES

21st September – Club Ifor Bach, Cardiff
22nd September – Night & Day, Manchester
24th September – Little Civic, Wolverhampton
25th September – Bodega, Nottingham
26th September – Leadmill, Sheffield
29th September – Komedia, Brighton
1st October – Arts Centre, Norwich
2nd October – Cluny, Newcastle
3rd October – King Tuts, Glasgow
6th October – Carling Academy, Oxford
7th October – ICA, London (SOLD OUT)

You can keep up to date with Post War Years as they record their debut album on their band blog;http://therussianclub.wordpress.com/

You can also listen to some of their fantastic new material on MySpace;http://www.myspace.com/thempostwaryears

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FIELD DAY 2008 – Review

Tuesday, August 26th, 2008

 

By Tim Weissberg

Word association time. I say “Field Day 2007”, you, or at least most of the Field Day 2008 previews, say “teething problems.” Yes, you’ve probably heard it all by now – the toilet queues, the four bar staff spread between two bars and the three-hour crush to get one of them to serve you a drink. Ironically, the one thing you probably wouldn’t have heard was the music, especially when Justice, a duo not exactly known for their peaceful sets, took to the stage at the end of the night. Well at least it was sunny.

This year, Eat Your Own Ears promised it would be better and that there would be a professional company brought in to ensure the punters could hear the music, buy their drinks and then make room for more. Ok, thought the dubious public, let’s give in another try.

And then the heavens opened. Rain at a British festival is certainly nothing unusual and most people just got on with it as normal. The only problems arose when it really started to pour. Those people with umbrellas decided to put them up and those that didn’t made beelines for the tents. This provided me with two bugbears.

First off, the bloody umbrellas. Seriously, if you are going to a festival and it looks like rain, wear a waterproof with a hood, leave the umbrella at home. During Les Savy Fav, a band which centres its live shows around the visual antics of front man Tim Harrington, my view was entirely obscured by a sea of selfish umbrella wielders. Occasionally I caught a flash of the stage to see Harrington’s belly spilling out over his tight white jeans. The sound was about as good as the general view, no not the view of Tim’s fetching ginger-haired stomach, which indicated that maybe a few lessons from last year were still to be learned.

Second, the tents. Yes, they may be undercover, but they will not stretch to accommodate everyone looking for shelter. My attempt to see Crookers in the Bugged Out! tent was thwarted by everyone fleeing the umbrellas outside and piling into the already packed area. To add insult to injury, just as I’d fought my way through the tide and into the open, they went and dropped Wearing My Rolex by Wiley. What timing.

Right, after that slight excursion into self-indulgence, let’s get back to the event. The bar situation was infinitely better. There were more and they were big. The bar staff were not so good though. But then maybe I was asking for trouble by veering from the sensible festival drinks order of beer and cider. I’ve no idea what drinks I came away with but by that stage no one in my round seemed to mind. Red Bull Cola, on a side note, is disgusting and I can see why the more traditional cola drinks had run dry. Toilet-wise there still appeared to be a problem. This was indicated by the very long lines of women snaking out of the porterloo clusters and the extended periods of absence by female members of our group. At least that was their excuse. There was less of a problem for the men, especially since someone – official or not – had put a set or portable urinals in the woods by the bandstand.

From what I could gather, half of London’s police had been invited along. The place was crawling with them. Ok, I know that people will be of the view that the police are there for the good of everyone and if you’re not doing anything wrong then you’ve nothing to worry about, but when it gets to the stage where one of my friends is stopped and searched three times before even clearing the gates, maybe the presence was a little heavy handed. For the second time that day I also had my entry into the Bugged Out! tent blocked by crowds, this time all in uniform, looking like they were about to form a police cordon around the entire tent. I don’t know, maybe James Holden is particularly popular with the Met Police. His acid-dripping set certainly sounded amazing from outside.

It wasn’t all doom and gloom. The steam pouring out of the Bloggers Delight tent may have made it look as if it was on fire and inside, musically, it was. Mikki Most and Ian Robinson played a blinding set of upbeat electro that made any gripes about the day disappear.

The night was rounded off by Simian Mobile Disco’s live set in the Adventures In The Beetroot Field/NME tent. Again, it was ridiculously packed to begin with but the other headliners, such as Foals and Richie Hawtin, soon thinned the crowd down to a level where some upper body movement was possible as opposed to the rhythmic head bopping. Standing still, obviously, was not an option.

In conclusion, there were a lot of things right with Field Day 2008 but a few things were still wrong. Maybe next year, they’ll get it right. And, if this year’s line up is anything to go by, I’m sure I’ll be tempted, yet again, to give it a chance.

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Back to the Future? (LP)

Thursday, August 21st, 2008

All this new music at our fingertips and all these new ways of buying and selling it. Aren’t we all so lucky. I recently reported how Madonna’s album was available for mobile phone downloads prior to the physical CD release (We’ve also had Bryan Adams selling his album exclusively through Walmart and Sam’s Club stores in the US (not quite as Rock n Roll, but you gotta take what you’re offered, right Bry?)).

Yet, amongst the digital revolution and traditional record shop mass-exodus, us dance music fans still like to buy physical products. It sure is hard for the retailers to keep on making money, times have changed, and a few vinyl junkies aren’t enough to keep a business afloat, but it was a very pleasant surprise to read about the recent RISE in sales of vinyl (RIAA 2007 Year-End Shipment Statistics – PDF). I’m not saying it’s saved, or making a comeback (especially after one year’s rise compared to nine years decline), but i realised that my own buying habits have changed over the years. I still go hunting for the odd 2nd hand bargain, or an old release with a killer B-side that everyone looked over at the time. But, i’m afraid i feel it hard to pay more than 8 quid for a piece of wax. Unless…. it’s an LP.

After a saturation of big brand mixed compitlations and a handful of rather weak superstar DJ full-length ego-massaging CDs, exciting dance music producers are making a bit of a comeback with artist albums. Canada’s Deadmau5 is planning an album release around Halloween, supported with a Puma/Beatport sponsored 50-date tour. The UK’s Mike Monday has his ready to go with US dance giant OM Records, complete with music videos!

There’s something about albums that give you a warm fuzzy feeling (not just the value for money). Maybe the artwork, or the expectation of the full spectrum of music that will (hopefully) be on there, with all the thank you’s and shout outs written inside the cover. Maybe there’s free stickers! Everybody loves free stickers!

If either of the above mentioned will be made available on vinyl, i think they will be sure purchases for myself, and even if not, I hope i’ll be able to continue hunting out some great vinyl LPs for years to come… whilst downloading the odd promo single ;)

Lee.

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We Love Space 2008 Opening Party

Tuesday, August 19th, 2008

After missing the actual Space Opening Party yet again this was always going to be a big one. My pal Dave Phillips was playing his usual set in the Discotec but the big news this week was that my best mate Andy Baxter was playing his first set for We Love; and he was doing it on the sunset terrace. We normally don’t make it into Space until after we shut the beeZwax shop (at 11pm) but this was no ordinary day so afternoon entry was a must. I got in about 15min into Andy’s set and the dancefloor was already packed even though the club had only been open for an hour. Unusually for the summer time we had a big gang – seems like everyone managed to skip work!

I pitched up to the right of the booth with my posse and we watched Andy absolutely smash it – literally the whole dancefloor was jumping for most of the time and it was not even half past six in the afternoon!

Jonathan Ulysses came on after Andy to a great reception as usual and soon after that I went for a wander in my massive sombrero.
I’d heard that one of my other mates was playing on the Premier Etage so I went upstairs for a butcher’s only to find out that it was someone else playing. That someone else turned out to be Mat Playford who I went to school with and hadn’t seen for years. After a quick catch up he told that me that he’d been both elated and deflated halfway through his set. If you’ve ever been on the Premier Etage you’ll know that it’s very chilled up there and the music is not exactly loud. Whilst Mat was up there playing quietly he heard the sunset terrace going right off downstairs – to one of his own remixes! He was pleased that it got such a good response but absolutely gutted that someone else (Andy Baxter) was the one that dropped it.
I think I headed straight to the discotec after that and that’s pretty much where I stayed – Dave Phillips, DJ Pierre, and Felix Da Housecat were all excellent and the atmosphere was awesome. Managed to squeeze in a bit of 2manyDJs near the end as well and all things considered, I reckon it was my best party in Space ever – which is no mean feat!

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b!’s pulling his finger out!

Sunday, August 17th, 2008

Ibiza 2008 – Hard to believe that we’re over two months in already!
It’s been a crazy start to the season even though everyone seems to think that Ibiza is dying again. I’ve been very busy since the start of the year so my spacial awareness hasn’t been great but the start of August was the first time when I looked around and said to myself “feck, it’s busy”.

My personal & work life has been a bit of a mess recently so the old blog has suffered somewhat. It’s time to pull my finger out now though and I reckon that speed is of the essence so I’m just going to ramble my way through my year in Ibiza – please feel free to criticise it if it’s too boring or too stuck in my own little bubble and I’ll try and make the effort to take a step back and start writing properly…

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Simian Mobile Disco – Fabriclive.41 Review

Thursday, August 14th, 2008

By Tim Weissberg

I remember the first time I heard Simian Mobile Disco play a set. It was in Room 2 of Fabric about two years ago. During that period I was spending at least once a week trawling the electro nights of London clubs and listening, on the whole, to the same tunes being played in various different orders. SMD were different. Yes, they played the up-to-date belters that were packing out most of the more cutting-edge dancefloors at the time but they added something a bit different – the belters that had people flocking to the floor in years gone by. Due to nothing more than the passing of time, I can’t remember a great deal of the actual songs played but the original version of Utah Saint’s Something Good and The Thin White Duke reworking of Felix Da Housecat’s Silver Screen Shower Scene – one of my all time favourite tunes ­­– stuck in my mind.

But enough of then, this is now. And now’s SMD have arrived with the latest, 41st, mix album in the aforementioned London club’s monthly series called, well, Fabriclive.41: Simian Mobile Disco.

Prior to listening the mix I was quite excited about the prospect of a SMD selection. I was expecting something along the lines of the offerings by the likes of Mr Da Housecat remixing Jacques Lu Cont, Cut Copy, The Glimmers and James Lavelle. What made these mixes stand out was their genre-spanning diversity. Maybe they weren’t an exact reflection of what you’d hear the DJs spinning in a club, but they were perfect selections to listen to at home or a house party. Which is kind of the point of the Fabriclive CDs, isn’t it?

However, upon listening to the album I found that this was not to be the case. There was no real excursions, save for album closer Nite Flight by The Walker Brother, from the blippy electro that SMD have been playing out for a long time now. There are, however, some quality past, present and future classics on there, such as Green Velvet’s Flash, Erotic Discourse by the Paul Woolford presented Bobby Peru, Hercules And Love Affair’s surely-to-be-seminal Blind (Serge Santiago Version) and SMD’s own Simple.

Without wanting it to sound like a criticism, if you are after a mix album that recreates a banging late-night dancefloor that stays just on the right side of repetitive, this is a great album. For those of you hoping for a great party album, akin to the Mobile Disco’s earlier sets, with the odd surprise thrown in, maybe try one of the Fabriclive albums mentioned above.

Tracklisting:

1. Infernal Dance Of King Kastechi (clean version) – Firebird
2. Don – Sisters Of Transistor
3. Simple – Simian Mobile Disco
4. Blind (Serge Santiago version) – Hercules & Love Affair
5. Space Warrior – Smith & Hack
6. Joystick – Discodeine
7. Chasm – Shit Robot
8. Up Tool – Perc & Fractal
9. Miura – Metro Area
10. Crack El – Worthy
11. Suite Equestria – Moon Dog
12. Huncut Hacuka – Fine Cut Bodies
13. Aemono – Bentobox
14. Reward Is Cheese – Deadmau5 & Jelo
15. Sleep Deprivation (Simon Baker remix) – Simian Mobile Disco
16. Chomper – Popof
17. Cindy Electronium – Raymond Scott
18. Erotic Discourse – Paul Woolford & Bobby Peru
19. Pitch Control – Moebius Plank Neumeier
20. Spastik – Plastikman
21. Flash – Green Velvet
22. Night Flights (album version) – The Walker Brothers

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The future of Music and Media?

Wednesday, August 13th, 2008

I’ve come across this great talk by a rather clever chap called Gerd Leonhard. Leonhard is a Media Futurist, which basically means he will tell you how sell your album / market your record company / become a top-earning publisher, whilst moving forward, and avoiding becoming extinct or viewed as untrustworthy by your consumers. He was filmed at this Google Tech Talk in London last month, covering topics such as the way that the internet is the biggest change to the music industry since radio, current and future predictions of social trends, and the way music may be sold online in the near future and how it will affect artists.

Anyone serious about the Music Industry really should watch this – It’s bang on the money, with his points regarding the UK Radio industry, the BPI, RIAA and many more. Plus, at just over 60 mins, it will fit nicely into your lunch break ;)

The slideshow is also available here in a larger and clearer form, but i was focussing so much on his theories that i’d rather go out and buy his book ;)

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Check Out MAX J

Tuesday, August 5th, 2008

We at UK Music Jobs love looking all clever stumbling across artists before anyone else has really heard of them on these shores…..

One such fantastic talent is Max J who’s brand of acoustic pop we really rather like and if your into that kind of thing we think you’ll also enjoy immensely….

Tunes can be heard over at his MySpace - http://www.myspace.com/maxjay

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Music I’m Diggin – August 08

Monday, August 4th, 2008

OK, I actually started typing this in July before I went on holiday, but I thought I’d post it up now anyway, as I’m feeling that there’s some great music out there at the moment, and thought I’d share.

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Ever since seeing Roisin Murphy at the St. Patrick Day’s Festival in Trafalgar square, I’ve been loving the tunes from her new album. Great and unique vocals, and extremely smooth sounds, making for a good, fun llistening album. I also checked her out at Sonar in Barcelona

Electronic-pop-cum-dance-diva.
Get it here: http://emirecords.co.uk/roisin/microsite/

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I’m also going to pick up a copy of the new N.E.R.D. album soon, being a big fan of both the band and the Neptunes remixes for many years now. Their fusion of rock band and forward thinking hip hop makes for some catchy numbers, and I’m gutted that I missed them live – I think it was at the O2 arena(?) But hopefully I’ll catch them on tour soon.

Gritty Street hip hop rock combo.
Get it here: http://www.n-e-r-d.com/

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Going underground, Mark Farina’s Fabric mix (number 40 if you are counting) is doing it for me too. It didn’t knock me over the first listen, but I thought it had a great groove, and now I can say that it really grows on you the more you listen to it. Farina’s taken this opportunity to push many new young artists, and some Digital-only labels too, but still retains his classic house groove that made him a worldwide star.

Deep and jackin house vibes.
Get it here: http://www.fabriclondon.com/label/release.php?item=fab40/mar

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A tune that hasn’t left my DJ bag for some time now is an remix EP of Alan Barratt’s ‘My kinda music’ (yes, this is the kind of noise I make regularly in clubs). The EP has four different remixes including heavyweights Inland Knights and Jason Jinx, and they are all so well produced and balance each other brilliantly, as if they were all designed for a different hour of the night. Top stuff.

Chunky rolling house music.
Get it here: http://www.juno.co.uk/ppps/products/308249-01.htm

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There’s a whole heap of talent right here on the Music Jobs website in case you haven’t realized it yet! Checking out the Soundcheck area, some artists I’ve recently come across include:-

Elipse – Futuristic funk, synthesized sounds and disco beats. Also looking for other artists to record with so check him out!

http://uk.music-jobs.com/bands/index.php?band_uid=17816

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Head-FullBury based quartet, playing energetic funk with a classic rock twist.

http://uk.music-jobs.com/bands/index.php?band_uid=17801

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CornerstoneAfter 2 years, over 100 shows, and 300 copies of their debut E.P they also won the welsh final of the BOTB

http://uk.music-jobs.com/bands/index.php?band_uid=17904

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Don’t forget to regularly keep your profile updated so I can find you and feature you in the UK MJ blog!

Upload your mp3s today so we can check you out!

Lee.

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