Posts Tagged ‘vinyl’

INDEPENDENT LABEL MARKET: LONDON

Thursday, May 17th, 2012

May 19 2012, 10am-6pm

Old Spitalfields Market, Spitalfields, London, E1 6EW (Tower Hamlets)

Back by dope demand! For vinyl and music lovers.

Here are some of our returning spring traders:

Angular * Bella Union * Chess Club * Domino * Fabric * Fat Cat * Heavenly * Moshi Moshi *One Little Indian * R&S * TriAngle

Newcomers include:

Because * Phantasy Sound * Transgressive * Warp

Since launching on Berwick Street in May 2011, Independent Label Market has brought together the founders of some the World’s greatest Independent Record Labels on both sides of the Atlantic to sell their fresh vinyl produce directly to the public at that traditional goods exchange – a market stall.

For enquiries email: independentlabelmarket@gmail.com

http://independentlabelmarket.tumblr.com/

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SOUND IT OUT – A documentary by Jeanie Finlay

Wednesday, May 16th, 2012

SOUND IT OUT is a fantastic documentary of the very last surviving vinyl record shop in Teesside, North East England. Jeanie Finlay’s film is so much more than just a depiction of a struggling record store it’s also an examination of the human spirit set against a harsh urban backdrop. Funny, moving, insightful and full of endearing, real characters this is a terrific film & an absolute must for music fans everywhere.

ON SALE NOW> sounditout.bigcartel.com

http://www.sounditoutdoc.com/

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Music Jobs Poll: Music Consuming Habits of 2011

Thursday, December 1st, 2011

Music Jobs poll logo

As 2011 is drawing to a close, we thought we’d find out a little more about what kind of music listening preferences our members have used over the last 12 months.

There are now more ways to consume music than ever before, making the murky waters of the music industry even more treacherous for musicians, songwriters and performers, not to mention agents, managers and the like. Please consider taking our short poll and sharing some of your recent habits of consuming music in 2011. After you click submit you can see the results. Simply hit the back button on your browser to vote in another topic and see more results.

Did you purchase physical music (CD, Vinyl, etc) in 2011?
Yes
No
Results


Did you purchase digital music (mp3, WAV etc) in 2011?
Yes
No
Results


Did you use free music streaming services (Spotify basic, Last.fm, etc) in 2011?
Yes
No
Results


Did you use paid subsctription music streaming services (Spotify Premium, Rdio, etc) in 2011?
Yes
No
Results


Did you purchase or stream music from a mobile device app in 2011?
Yes
No
Results


Did you attend a live music show (club, festival, concert, etc) in 2011?
Yes
No
Results


Did you purchase music (physical or digital) direct from an artist (own website, at a show, etc)?
Yes
No
Results


Did you listen to AM or FM radio in 2011?
Yes
No
Results


Did you listen to internet radio in 2011?
Yes
No
Results


Which of these best describes your role in the music industry?
Musician / Singer / Performer
Songwriter
Artist Manager / Booking Agent / Lawyer
Teacher
Record Label Owner / Worker
Engineer / Studio Manager / Producer
Marketing / PR
Web / Design / Artist Services
Results



by Lee Jarvis.

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Florence + The Machine – Shake It Out (Limited Edition)

Friday, October 28th, 2011

Florence and the machine shake it out special edition

The Vinyl Factory continue their run of inventive and interesting music projects with a new limited edition vinyl piece for Florence + the Machine.

The latest release from the English indie pop act is the second single from the forthcoming album ‘Ceremonials’, and the first in a series of limited Florence vinyl releases with The Vinyl Factory. The cover is also the first of a collaborative set from Florence and Chanel creative director Karl Lagerield, for whom she performed at Paris Fashion Week this September.

Restricted to 500 hand-numbered pieces, each special release has a screen printed cover, silver foiled on pristine white card and features a unique series of photographic portraits personally taken by the fashion legend, which will remain exclusive to these releases. The heavyweight 180-gram white vinyl is housed in a silver inner bag. The record itself is the only physical release of ‘Shake It Out’, and includes the original plus a remix by The Weeknd.

The Shake It Out video, which was shot in Eltham Palace in Greenwich, has already gained attention for its ‘satanic’ look and feel. Check it out below…

The release will cost a slightly pricey £50, and is out October 31st. Pre-order at The Vinyl Factory store

by Lee Jarvis.

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The Vinyl Factory Launches “Concept Store” in London

Wednesday, March 16th, 2011

musicisart3

The Vinyl Factory‘s “concept store” is now open in London.

The new shop and gallery is located in the Front Room of the St Martins Lane Hotel, and represents The Vinyl Factory’s first foray into displaying and selling its art and music limited editions in a physical space.

The company – FACT’s mothership – has built a formidable reputation crafting high-spec deluxe vinyl editions of records, always with a strong visual or fine art component, by the likes of Damon Albarn & Jamie Hewlett, Pet Shop Boys, Grace Jones, Hot Chip, David Lynch and Massive Attack.

The new retail residency will last three months, during which time there will be a series of new editions launched and changing exhibitions. Among the new additions to the portfolio is a limited edition box set of music from The Most Incredible Thing, the forthcoming Sadler’s Wells ballet scored by the Pet Shop Boys in collaboration with choreographer/director Javier de Frutos.

Also set to see release this Spring is a limited edition of Duran Duran‘s latest album, All You Need Is Now, with artwork by the acclaimed British artist Clunie Reid, in collaboration with Pop magazine art director Rory McCartney.

The temporary store/gallery – an homage to the relationship between art and music – also offers the public the rare chance to find previous Vinyl Factory editions available for sale offline, including Massive Attack’s Heligoland, Michael Nyman’s Cine Opera and Bryan Ferry’s Olympia.

Opening hours are 11-7pm Tuesday to Saturday, 12-6pm on Sunday. More information here.



by Lee Jarvis.

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Lost My Dog present ‘Connect’ Event at Swag Records, London

Tuesday, October 27th, 2009

Lost My Dog ‘Connect’ is an opportunity for budding DJs, producers and anybody with an interest in the dance music industry to meet and learn from some the UK finest underground House artists, alongside LMD label bosses and record shop staff.

Lost My Dog has teamed up with legendary record store Swag Records, based in Croydon, London, who have been long-time supporters of the label and who introduced artists such as Nathan Coles, Harold Heath and Nick Dare to LMD.

On the afternoon of Saturday 7th November you can hear sets from Rhythm Plate, Giom, Pete Dafeet, Nick Dare and Terry Francis as well as get their advice on music software, hardware, production tips, DJing and learn how they got their first break.

Also in attendance will be Lost My Dog label bosses Najan Ward and Ian Straker who will be giving advice on how to approach labels, things to consider if you are interested in starting your own label and all aspects of the dance music industry. And of course the hugely experienced Swag Records team will be on hand to talk to and serve up the latest hot 12”s. If you’re looking to work in the dance music industry this is a rare and free event that should definitely not be missed.

Date: Saturday 7th November 2009, 12:00 – 18:00

Location: Swag Records, 42 Station Road, West Croydon, London, CR0 2RB

DJs / Producers:
Rhythm Plate / YSE (Lost My Dog, Winding Road)
Pete Dafeet (Lost My Dog)
Giom (Lost My Dog, Aroma, Blackcherry)
Nick Dare (Lost My Dog, Reform Recordings)
Terry Francis (Fabric, Wiggle)

LMD Label Bosses:
Ian Straker
Najan Ward
Pete Dafeet

plus
Liz, Paul and the Swag Records team.

I hope some of our UK Music Jobs members can check it out!

Lee Jarvis.

(Image via Lost My Dog Records)

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Saving the Record Store

Thursday, February 26th, 2009

My first Mecca when I started DJing and collecting music was Trackmasters in Romford; a great place, run by an awesome guy with a solid knowledge of dance music; it was purely the digital revolution that killed them off. All across the UK, independent music stores are closing at an alarming rate, as the buying habits of the general public have changed remarkably, and the shift from CD to digital is now obvious for all to see.

The ‘adult’ shoppers who were wanting to replace all their vinyl and cassette collection with new CDs have pretty much completed that transition. Getting them into new music on a regular basis is pretty rare. That leaves the general music buying youth, and, well, they are obviously all illegal downloading pirates (according to the RIAA/PRS/ASCAP etc), who rarely set foot in a physical retailer for anything anymore.

There is hope. In order for these traditional retail stores to keep afloat, they must adapt to the new music 2.0 world and attract customers by a variety of means. They must expand their revenue sources in order to survive. I’m sure that some if this will involve mp3s, and developing a working strategy for in-store downloading. For example, a customer can come in with their personal mp3 player, maybe share a few songs with an in-store music specialist, then receive recommendations for new music purchases. A ‘top-up card’ system could be implemented, where a customer can buy 5/ 10/ 25 downloads in advance, select tracks from in-store machines, then insert the card and link up their mp3 player to receive their new tracks. This will also sell well as presents for friends and families at Christmas. Branching into mp3s can also tie-in with the sale of personal mp3 players, mobile phones with music packages and the accessories that accompany them i.e. headphones, earphones and mini-speaker / home stereo link-up systems.

Box sets and limited edition CDs are a good way to add extra value, relative to the price of a ‘normal’ CD. They could have extra features that are not available with the original, such as extra photos and information published in the inlays(s), enhanced CDs that will play music videos in home computers, and possibly bonus tracks / unreleased mixes / original studio recordings / remastered versions. Much of this would not be available online, or at least would mean more to own physically for the loyal fans of each artist.

Brick-and-mortar retail outlets should also consider moving into other products associated with a variety of mainstream and niche artists and strong music brands, from Michael Jackson concert DVDs to Marilyn Manson dolls to Def Jam T-shirts to Glastonbury / SXSW tickets. Supporting local bands is one way they can even have an edge over the large brands such as HMV / Virgin etc. Rather than trying to sell a thousand megastar albums, selling 25 albums of 40 different local acts will create the same income and possible evolve more loyal, longer term custom.

Anything they can do to think outside the box and expand their store into a community once again is the way that the physical retailers can fight back and survive. I, for one, would hate to see the last remaining few disappear from our streets, and honestly think that by becoming more of a community / lifestyle / hang out joint, and turn the shop itself into a trusted, authentic and knowledgeable brand, then they can regain not just one-off customers, but regular long-tail fans.

Lee Jarvis.

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Back to the Future? (LP)

Thursday, August 21st, 2008

All this new music at our fingertips and all these new ways of buying and selling it. Aren’t we all so lucky. I recently reported how Madonna’s album was available for mobile phone downloads prior to the physical CD release (We’ve also had Bryan Adams selling his album exclusively through Walmart and Sam’s Club stores in the US (not quite as Rock n Roll, but you gotta take what you’re offered, right Bry?)).

Yet, amongst the digital revolution and traditional record shop mass-exodus, us dance music fans still like to buy physical products. It sure is hard for the retailers to keep on making money, times have changed, and a few vinyl junkies aren’t enough to keep a business afloat, but it was a very pleasant surprise to read about the recent RISE in sales of vinyl (RIAA 2007 Year-End Shipment Statistics – PDF). I’m not saying it’s saved, or making a comeback (especially after one year’s rise compared to nine years decline), but i realised that my own buying habits have changed over the years. I still go hunting for the odd 2nd hand bargain, or an old release with a killer B-side that everyone looked over at the time. But, i’m afraid i feel it hard to pay more than 8 quid for a piece of wax. Unless…. it’s an LP.

After a saturation of big brand mixed compitlations and a handful of rather weak superstar DJ full-length ego-massaging CDs, exciting dance music producers are making a bit of a comeback with artist albums. Canada’s Deadmau5 is planning an album release around Halloween, supported with a Puma/Beatport sponsored 50-date tour. The UK’s Mike Monday has his ready to go with US dance giant OM Records, complete with music videos!

There’s something about albums that give you a warm fuzzy feeling (not just the value for money). Maybe the artwork, or the expectation of the full spectrum of music that will (hopefully) be on there, with all the thank you’s and shout outs written inside the cover. Maybe there’s free stickers! Everybody loves free stickers!

If either of the above mentioned will be made available on vinyl, i think they will be sure purchases for myself, and even if not, I hope i’ll be able to continue hunting out some great vinyl LPs for years to come… whilst downloading the odd promo single ;)

Lee.

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