Lost My Dog ‘Connect’ is an opportunity for budding DJs, producers and anybody with an interest in the dance music industry to meet and learn from some the UK finest underground House artists, alongside LMD label bosses and record shop staff.

Lost My Dog has teamed up with legendary record store Swag Records, based in Croydon, London, who have been long-time supporters of the label and who introduced artists such as Nathan Coles, Harold Heath and Nick Dare to LMD.

On the afternoon of Saturday 7th November you can hear sets from Rhythm Plate, Giom, Pete Dafeet, Nick Dare and Terry Francis as well as get their advice on music software, hardware, production tips, DJing and learn how they got their first break.

Also in attendance will be Lost My Dog label bosses Najan Ward and Ian Straker who will be giving advice on how to approach labels, things to consider if you are interested in starting your own label and all aspects of the dance music industry. And of course the hugely experienced Swag Records team will be on hand to talk to and serve up the latest hot 12”s. If you’re looking to work in the dance music industry this is a rare and free event that should definitely not be missed.

Date: Saturday 7th November 2009, 12:00 – 18:00

Location: Swag Records, 42 Station Road, West Croydon, London, CR0 2RB

DJs / Producers:
Rhythm Plate / YSE (Lost My Dog, Winding Road)
Pete Dafeet (Lost My Dog)
Giom (Lost My Dog, Aroma, Blackcherry)
Nick Dare (Lost My Dog, Reform Recordings)
Terry Francis (Fabric, Wiggle)

LMD Label Bosses:
Ian Straker
Najan Ward
Pete Dafeet

plus
Liz, Paul and the Swag Records team.

I hope some of our UK Music Jobs members can check it out!

Lee Jarvis.

(Image via Lost My Dog Records)

My first Mecca when I started DJing and collecting music was Trackmasters in Romford; a great place, run by an awesome guy with a solid knowledge of dance music; it was purely the digital revolution that killed them off. All across the UK, independent music stores are closing at an alarming rate, as the buying habits of the general public have changed remarkably, and the shift from CD to digital is now obvious for all to see.

The ‘adult’ shoppers who were wanting to replace all their vinyl and cassette collection with new CDs have pretty much completed that transition. Getting them into new music on a regular basis is pretty rare. That leaves the general music buying youth, and, well, they are obviously all illegal downloading pirates (according to the RIAA/PRS/ASCAP etc), who rarely set foot in a physical retailer for anything anymore.

There is hope. In order for these traditional retail stores to keep afloat, they must adapt to the new music 2.0 world and attract customers by a variety of means. They must expand their revenue sources in order to survive. I’m sure that some if this will involve mp3s, and developing a working strategy for in-store downloading. For example, a customer can come in with their personal mp3 player, maybe share a few songs with an in-store music specialist, then receive recommendations for new music purchases. A ‘top-up card’ system could be implemented, where a customer can buy 5/ 10/ 25 downloads in advance, select tracks from in-store machines, then insert the card and link up their mp3 player to receive their new tracks. This will also sell well as presents for friends and families at Christmas. Branching into mp3s can also tie-in with the sale of personal mp3 players, mobile phones with music packages and the accessories that accompany them i.e. headphones, earphones and mini-speaker / home stereo link-up systems.

Box sets and limited edition CDs are a good way to add extra value, relative to the price of a ‘normal’ CD. They could have extra features that are not available with the original, such as extra photos and information published in the inlays(s), enhanced CDs that will play music videos in home computers, and possibly bonus tracks / unreleased mixes / original studio recordings / remastered versions. Much of this would not be available online, or at least would mean more to own physically for the loyal fans of each artist.

Brick-and-mortar retail outlets should also consider moving into other products associated with a variety of mainstream and niche artists and strong music brands, from Michael Jackson concert DVDs to Marilyn Manson dolls to Def Jam T-shirts to Glastonbury / SXSW tickets. Supporting local bands is one way they can even have an edge over the large brands such as HMV / Virgin etc. Rather than trying to sell a thousand megastar albums, selling 25 albums of 40 different local acts will create the same income and possible evolve more loyal, longer term custom.

Anything they can do to think outside the box and expand their store into a community once again is the way that the physical retailers can fight back and survive. I, for one, would hate to see the last remaining few disappear from our streets, and honestly think that by becoming more of a community / lifestyle / hang out joint, and turn the shop itself into a trusted, authentic and knowledgeable brand, then they can regain not just one-off customers, but regular long-tail fans.

Lee Jarvis.

All this new music at our fingertips and all these new ways of buying and selling it. Aren’t we all so lucky. I recently reported how Madonna’s album was available for mobile phone downloads prior to the physical CD release (We’ve also had Bryan Adams selling his album exclusively through Walmart and Sam’s Club stores in the US (not quite as Rock n Roll, but you gotta take what you’re offered, right Bry?)).

Yet, amongst the digital revolution and traditional record shop mass-exodus, us dance music fans still like to buy physical products. It sure is hard for the retailers to keep on making money, times have changed, and a few vinyl junkies aren’t enough to keep a business afloat, but it was a very pleasant surprise to read about the recent RISE in sales of vinyl (RIAA 2007 Year-End Shipment Statistics – PDF). I’m not saying it’s saved, or making a comeback (especially after one year’s rise compared to nine years decline), but i realised that my own buying habits have changed over the years. I still go hunting for the odd 2nd hand bargain, or an old release with a killer B-side that everyone looked over at the time. But, i’m afraid i feel it hard to pay more than 8 quid for a piece of wax. Unless…. it’s an LP.

After a saturation of big brand mixed compitlations and a handful of rather weak superstar DJ full-length ego-massaging CDs, exciting dance music producers are making a bit of a comeback with artist albums. Canada’s Deadmau5 is planning an album release around Halloween, supported with a Puma/Beatport sponsored 50-date tour. The UK’s Mike Monday has his ready to go with US dance giant OM Records, complete with music videos!

There’s something about albums that give you a warm fuzzy feeling (not just the value for money). Maybe the artwork, or the expectation of the full spectrum of music that will (hopefully) be on there, with all the thank you’s and shout outs written inside the cover. Maybe there’s free stickers! Everybody loves free stickers!

If either of the above mentioned will be made available on vinyl, i think they will be sure purchases for myself, and even if not, I hope i’ll be able to continue hunting out some great vinyl LPs for years to come… whilst downloading the odd promo single

Lee.